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credits
released April 29, 2022
Produced by Alexandre Vaz and Jake Owen
(track 5 produced by Kassin, Alexandre Vaz and Jake Owen) Additional production: Mauro Refosco
Recorded at SuperLegal, Brooklyn, NY and Los Angeles, Rio de Janeiro, São Paulo and Paris
Engineered by Jake Owen and Alexandre Vaz
Additional Engineering: Michael Craver (track 1) Gui Marques (track 2), Tuto Ferraz (track 3), Maïa Barouh (track 5), Pupillo (track 6), Alex Moreira (track 8).
Mixed by Scotty Hard, Brooklyn, NY
Alexia Bomtempo- vocals
Alexandre Vaz- acoustic guitar, electric guitar, additional keyboards and programming
Jake Owen- electric guitar, baritone guitar, additional keyboards and programming, string/wind arranging
Mauro Refosco- drums, percussion, programming, additional keyboards
Kassin- programming, production (track 7)
Philippe Powell- Fender Rhodes (track 5)
Jaques Morelenbaum- cello (track 8)
Alberto Continentino- electric bass (track 8), synth bass (track 5) Jorge Continentino- clarinet (track 7)
Stéphane San Juan- additional percussion (tracks 1, 5) Gustavo di Dalva- additional percussion (track 1)
Jorge Ailton and Milton Guedes- background vocals (track 5) Rodrigo Tavares- Fender Rhodes and synths (track 8)
Michael Blake- alto flute (tracks 3, 4)
Sarah Schoenbeck- bassoon (track 4)
Stuart Bogie- clarinet (track 4)
Christa Robinson- oboe (track 4)
Delaney Stöckli- violin (track 1)
Ludovica Burtone- violin (track 1) Lourdes Rosales- viola (track 1) Emily Hope Price- cello (track 1) Eduardo Belo- double bass (track 4)
supported by 8 fans who also own “Banho de Cheiro”
Accomplished musicians performing expertly conceived compositions. What more could I ask for? This is a “discovery” album in that it inspires me to explore the rest of Clifton’s catalogue. Paul Goode